![]() ![]() ![]() Hope this conveys just what this old fat-pixel back can do in terms of portraiture. As soon as I could find-and afford-another Sinarback on my return, I snapped it up, but I use it on a Hasselblad here.) (This was actually shot with my first Sinarback 54M and the Mamiya RZ67 plus 180mm W-N lens I had to sell the camera and the back to help fund my move back to the US. The area of the image is approximately 1.5 x 1.2 inches.) (Shot with the 120mm Makro-Planar and the Auto Bellows this was a test shooting a coffee sack I have hung up on my wall. (Shot with the 150mm Sonnar, wide open, with extension tube.) (Shot with the 120 Makro-Planar-the same lens Platon uses, with his style of lighting.) El Tamron 16-300mm f/3.5-6.3 es un lente versátil que se puede utilizar para muchos propósitos, desde macro tomas de insectos hasta impresionantes fotografías de vida silvestre de grandes mamíferos. (I *think* this was shot with the 180 Sonnar and an extension tube.) These have had a bit of Nik Sharpener applied to them, but it's just building on what's there. ![]() If you'd like to see what it can do, here are a few full-resolution samples I've got stashed on my website. I'm very happy with the resolution, and the skin tones-most of my clients are black, because of my location, and it does a far, far better job of getting the skin tones right than my Nikon D810, which tends to make black people very orange-y without some rather strenuous correction. And if I'm shooting tight head shots of someone interesting, I use the 180mm/F4.0 CFi Sonnar (a truly stunning lens). It's hitched to a Hasselblad 553ELX, mostly shooting the 80mm/F2.8 CF Planar, the 120mm/F4.0 CFi Makro-Planar, and the 150mm/F4.0 CF Sonnar. Sorry I'm a bit late to the party, but I'm currently using a fat pixel back (Sinarback 54M, 2004 vintage, I believe) with the Kodak 22-megapixel sensor in my portrait studio in West Orlando. ![]()
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